They take a hike in the mountains and then choose a spot by a pretty inlet for a picnic, posing for a family photograph to capture the moment. The second is an abandoned Mercedes left by the side of the road, an open passenger door creaking on its hinges in the breeze.Ī Wellington schoolteacher nicknamed Hoaggie (Erik Thomson), his wife Jill (Miriama McDowell) and her affably bickering teenage sons Maika and Jordan (Billy and Frankie Paratene) all seem content enough enjoying what one of the boys refers to with a hint of snark as “the road trip experience.” Even getting pulled over for speeding doesn’t dampen the mood for long. The first is a magnificent sunrise with a lone figure sitting in silhouette on a hill overlooking the horizon. Her skin is torn and decaying, a grim echo of the acne that might plague an ordinary teenager.Ashcroft and DP Matt Henley foreshadow the lurking menace in two succinct opening shots that reveal relatively little. Alex’s eyes have been scratched out, while Mina carries wounds from a sexual assault. Mina and Alex are survivors of childhood abuse, and bear the scars of their suffering. Rather than relying on shocks, “The Dark” takes a sober approach to its realistically gruesome imagery. The camera frequently hides with Mina in the shadows as she observes intruders who may become her prey. When search parties come to collect Alex, Mina responds with deadly overprotectiveness.ĭespite its violence, “The Dark” is quiet in sound and style. He has not known death or the taste of human blood, but Mina senses a kindred spirit and his suffering speaks to her own. She kills Josef, but spares his victim, Alex (Toby Nichols). The cabin turns out to be home to an undead, flesh-eating teenager, Mina (Nadia Alexander). Josef has monstrous intentions, but he is no match for the forest’s demons. The horror film “The Dark” begins queasily, following a man, Josef (Karl Markovics), who has absconded with a blind, bound teenage boy to a cabin deep in a shadowy wood known as Devil’s Den.
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